prostheticknowledge:

GHOST IN THE SHELL - REEL

Video short from Ash Thorp is a compilation of motion graphics featuring assets he created for the latest Ghost In The Shell movie:

The sequences and images in the reel represent a compilation of work created for the Ghost in the Shell live action film, which includes everything from animation tests to final assets implemented in the film. 

Even more background and examples can be found here

prostheticknowledge:

INORI (prayer)

Creative collaboration from @nobumichiasai, WOW Inc, Ishikawa Watanabe Laboratory and AyaBambi is a dance performance including realtime facial projection mapping:

Here is the Making-Of video, including details on the incredibly fast projector needed for this project to work:

The director, Tanigawa (TOKYO) made a proposal for the theme of “Life.” First, the soundtrack was composed according along the theme. The creative director, WOW’s Technical Director, Asai and the CG Director, Abe was inspired by the music and then made face mapping work. Aya Sato designed choreography. The crew of TOKYO, which Tanigawa directs, completed the project by making the video work.

The music brought Asai the image of “the radioactive.” The destructive force of the radioactive could cause “death,” “suffering,” and “sorrow.” And “prayers” could overcome them. These subjects infuse AYABAMBI’s powerful performance. Their performance crushes and conquer black tears, skulls and the Heart Sutra. We built up the concept during the production and Abe designed animation for face mapping.

There was a big challenge in technical aspects. We realized the new mapping system that allows us to follow intense performances by using the latest 1,000 fps projector, DynaFlash and a super speed sensor. It is very new and it had not been done before. Projected images become part of their skin and they transform their faces.

At the beginning of our development, there was an issue, AYABAMBI would loose freedom of performances if we accelerated the tracking speed. Asai, Yoshimura (WOW), Lecturer Watanabe and Teshima (EXVISION) explored how we could keep the tracking speed securing the freedom of performances, taking three months of trial and error to reduce a few milliseconds. And we finally developed this system.

More Here

(Source: w0w.co.jp)